Music for two organs: The Viennese Habsburg Court of the 17th century
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Label: Audite
Cat No: AUDITE92653
Format: Hybrid SACD
Number of Discs: 1
Release Date: 3rd December 2012
Contents
Works
Partite sopra l'Aria FavoritaToccata in G minor
Felician, Leopold Ignatius Joseph Balthasar
Di Sua Maesta Cesarea Leopoldo Primo ArieToccata no.6 in G minor, FbWV106 'da sonarsi alla levatione'
Capriccio sopra il cucu
Clamor grillorum campestrium (fugue)
Canzon uber das Hennen und Hannen Geschrey, Capriccio uber das Hennen
Sacrorum concentuum (1618)
Canzon in G minor a 6
Artists
David Blunden (organ)Johannes Strobl (organ)
Choralschola der Cappella Murensis
Works
Partite sopra l'Aria FavoritaToccata in G minor
Felician, Leopold Ignatius Joseph Balthasar
Di Sua Maesta Cesarea Leopoldo Primo ArieToccata no.6 in G minor, FbWV106 'da sonarsi alla levatione'
Capriccio sopra il cucu
Clamor grillorum campestrium (fugue)
Canzon uber das Hennen und Hannen Geschrey, Capriccio uber das Hennen
Sacrorum concentuum (1618)
Canzon in G minor a 6
Artists
David Blunden (organ)Johannes Strobl (organ)
Choralschola der Cappella Murensis
About
Leopold’s father and grandfather had already given music important status in their running of the Court. With the practicing musician Leopold I (1640 -1705), who often led rehearsals and performances himself, the Viennese Hofkapelle (Court Chapel) became one of the most significant European music institutions of the time.
Important musicians such as Johann Jakob Froberger, Johann Kaspar Kerll and Alessandro Poglietti found employment in Vienna as Court Organists. A selection of their compositions is presented here, as well as additional works from the baroque and early Baroque period by Priuli, Valentini, Ebner and Techelmann and by Emperor Leopold I himself.
Alongside genuine organ works, the recording also contains intabulations of double-choir motets and canzonas. With these arrangements, the two organists Johannes Strobl and David Blunden tie in with the tradition of their historical predecessors and can present the two magnificent Bossart organs from the year 1743 in the Abbey Church of Muri both as solo and duetting instruments in excellent fashion.
Sources from the music archive of the Vienna Minorite Monastery give evidence for the time around 1700 that Gregorian chant was not sung a cappella, but with organ accompaniment. This practice, which is hardly ever observed today, is taken into consideration in this recording.
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